Artists listed below are primarily singers born in Washington, DC at any point in history. Under "composers", I have listed artists who are known primarily as composers and not performers (for example, Wellington Adams is known as a composer, while Duke Ellington/Billy Taylor are known as both).
Marshall, Henry Caso. pic, Wash Afro, 10/10/70, 18; Wash Afro 5/6/72, 17
Cook, Will Marion (1/27/1869-7/19/44 NY))
Castillo, R.A. (Guatemalan born in Guatemala)
Source: Wellington Adams
DRAMA (NON MUSIC)
Willis Richardson (1889-1977): A Brief Biography
A Student Project by Lisa Moua
Willis Richardson, a dramatist, was not excelling financially and academically as desired. With only a diploma from M Street High School, Richardson quickly got a job as a clerk at the U.S. Bureau of Engraving and Printing in 1910-1954 (LDB 237). While in high school, Richardson became academically inspired by his English teachers, Mary Burill and Angelina Grimke. Rachel, a play by Grimke provoked an impetuous career change from poet to dramatist for Richardson. It became an inner challenge to provide an exquisite play. He answered the challenge with The Chip Woman's Fortune and The Broken Banjo.
"Truly a pioneer, he was the first black to have a Broadway production of a nonmusical, one-act play-The Chip Woman's Fortune (produced in 1923)." (Literary Biography 236) The play ran for a period of two weeks at the Frazee Theatre in New York.
Richardson was born in Wilmington, North Carolina, on November 5, 1889. There seemed to be a discrepancy of paternity on behalf of his biological mother. There are some beliefs from his family that his mother was his grandmother and his older sister was his mother. Willis Wilder was his father but his biological father was supposedly a rich white man by the name of McKoy (Gray 2/8). Confused? Well, until further clarification, I will refer to Agnes Harper Richardson and Willis Wilder as Willis Richardson's mother and father.
He was the father of three daughters: Jean Paula born in 1916; Shirley Antonella born in 1918; Noel Justine born in 1920 (LDB 237). He died on November 7, 1977 from Padgett's Disease. He was buried beside his wife, Mary Ellen Jones and his daughter, Noel.
The plays of Richardson didn't focus on racism but the portrayal of unique characters within the black community. He wanted his audiences to share the experiences of his characters. Richardson wrote The Hope of a Negro Drama, published by Crisis in 1919, and The Kings Dilemma (1920). W. E. B. Du Bois edited both of these works for Crisis and he was also the founder of The Brownies' Book, for children. Du Bois's philosophies greatly influenced Richardson and he based his play, Mortgaged, on Du Bois's "talented tenth" philosophy (DLB 239).
Richardson reached his peak during the New Negro Renaissance in the 1920s. Various playwrights, Langston Hughes, Du Bois, May Miller, (naming only a few) met every Saturday and discussed past, present, and future plans for drama and the theatre. Richardson's plays were being staged and produced at Howard University in Washington. He felt for the first time that he was going to achieve the recognition he desired. All too soon the Theater Department disintegrated. The Drama Department at Howard University closed in 1929 (Gray 5/8). The outcome of the institution's decision to end the program was due to the job change of Montgomery Gregory, a major promoter of Richardson's. Montgomery Gregory headed the Howard University Players.
It seemed everything from that point on started on a downhill slide for Richardson. His plays were being produced without his consent. His dreams and hopes faded with The Great Depression. On March 7, 1947 his daughter, Noel, committed suicide leaving behind two children which were officially adopted by Richardson in 1952 (Gray 6/8). Trends and styles in theatre were quickly passing him by. He tried to make a come back with The Broken Banjo but no agent would represent him. His wife became blind and his health was failing him miserably. His wife donated his home library without his consent. After many disappointments, he isolated himself throughout the years. He felt alone and very lonely.
Shortly after his death, his dream of recognition was achieved. The Audience Development Committee (AUDELCO) recognized him as an "Outstanding Pioneer" in Black theatre. Other outstanding achievements consisted of Richardson winning the Edith Schwab Cup at Yale University in 1928 for the play Broken Banjo (Gray 2/8); and Howard University's production of a non-student Black play by Richardson, Mortgaged in 1924 (Gray 4/8). Richardson composed and edited two successful anthologies: the first one was Plays and Pageants from the Life of the Negro in 1930 and Negro History in Thirteen Plays in 1935.
Richardson was like a voice that wanted and needed to be heard. No one heard him at first and when they did, they suppressed him. But he spoke even louder and commanded attention. Finally, everyone heard him and embraced the talents he had to offer. Even though the only "existing records were. . . scrawled on . . . envelopes and legal pads" his contribution to African American Drama has labeled him as "the father of Black drama." (Gray 6/8)
Gray, Christine R: On Recovering a Pioneer American Playwright. WWW URL: http://www.bobwest.com/ncaat/crgray.html (March 3,1998).
Perry, Patsy B. "Afro-American Writers from the Harlem Renaissance to 1940." Dictionary of Literary Biography, ed. Harris, Trudier and Davis, Thadious M. 51 vols. Michigan: Layman, 1987.
MLA Style Citation of this Web Page
Reuben, Paul P. "Chapter 9: Willis Richardson." PAL: Perspectives in American Literature- A Research and Reference Guide. URL:http://web.csustan.edu/english/reuben/pal/chap9/richardson.html (provide page date or date of your login).
Cook, Will Marion (1869-1944)
Brown, Chuck (guitarist, band leader)
Ellington, Duke (1899-1974, pianist, band leader)
Taylor, Billy (pianist)
Burroughs, Henry (Bass)
Brooks, Maurice (Classical pianist. Graduate of the New England Conservatory in 1903)
Lee, Sylvia Olden
Marshall, Harriet Gibbs (Classical)
Walker, George (Classical)
Walker-Slocum, Frances (Classical)
.....Cassell sues Elder Michaux for 962,075 charging that Michaux defraded him during the development of the 7 mi mayfair Mansions housing project., Jet, 11/25/54, p4
RHYTHM & BLUES
Barr, Pamela (cello). Earned the bachelor of music in cello from catholic. as a fellowship student at the new england conservatory, she eaarned the master's. she has performed extensively on the east coast.
Kelsh, Kathy Grayce (violin): Antoinette Handy Collection, Box 1
Cobb, William Montague*
Amphion Glee Club (early 20th century)
ANACOSTIA (WASHINGTON, DC)
.....March Triumphal of Freedom,(1922) by Fulton B. Karr (author of the "Shandon Bells" Anacostia DC. Sheet music cover, M28.K. "Respectfully dedicated to the boys of his home town of Anacostia, DC, who served their country and as a tribute to the memory of those who gave their lives in the great world war. by the author.
WASHINGTON MUSICIANS -NANM